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Tuesday, February 13, 2007

Sluglett Gets Corrected on IRAQ's History


















Peter Sluglett inserted his comments within Tarik al-Ani's reply to Peter. You will see Sluglett's comments in RED bold below. Click on this link first to read Tarik's original commentary to the exchanges between Wafaa' Mahmood, Nissim Rejwan and Peter Sluglett: http://zennobia.blogspot.com/2007/02/tarik-al-ani-responds-to-peter-sluglett.html

I read your exchange of messages with Naseem Rejwan and Peter Sluglett. The subject is indeed a very difficult one; one with which I have struggled and entered into debates and quarrels here in Finland. It has cost me a lot and continues to do so… No Western "scholar" would ever admit ignorance, or that a "wog" (not as Scientology defines it though) would know better than him or her. That must be clearly understood right from the beginning. Most also think that because they, as Westerners, are "superior" to us in every aspect (sic!), then their writings are always reliable and correct and what we write is merely "emotional outbursts" that "lack academic seriousness and credibility." This is the most ridiculous nonsense. I hold my Arab, Persian and Turkish colleagues in the highest possible esteem, and you cannot cite any evidence whatever to suggest otherwise. Batatu's book on Iraq is unsurpassed and unsurpassable, and the work of Isam al-Khafaji and Falih 'Abd al-Jabbar is indispensable to an understanding of contemporary Iraqi realities. The work of Malik Mufti ( Sovereign Creations ...) is the best exposure of the utter nonsense of Ba'thism; the list can go on and on. Please do not insult my intelligence by putting about this childish idea that someone like myself does not respect and make use of the work of Arab scholars. But I would also say that the work of Charles Tripp, Pierre-Jean Luizard, Phebe Marr (just!) and Toby Dodge, all of which is based on primary materials, cannot be ignored simply because the authors are Westerners. This is so elementary that I am amazed I even have to state it.

Thus it is not unexpected (by me at least) that Joel Beinin would not reply to you; first because of apparent arrogance (as can be seen from his remark to Peter Sluglett), and second because he would never admit his ignorance or that he only copied from other sources. I have seen this many, many times in my years of work and research in Finland. Who is copying what from whom, exactly ? Beinin has written pioneering work on Zionism and the Palestinians, and (as a Jew in America) has been standing up courageously to attacks from Zionists all his academic life. He doesn't need or deserve this kind of baseless criticism.

Peter Sluglett, says that he "has been working on 19th and 29th century Iraqi history for the last 30 years". If his replies are a reflection of what he knows and teaches, then he does not know much and the last 30 years have been sheer waste… Have you read Britain in Iraq 1914-1932? Have you read Marion Farouk-Sluglett and Peter Sluglett, Iraq since 1958: from Revolution to Dictatorship (3rd edition, 2001)? If you have, and have substantive criticism of the points made in them, fine. If not, what's the point of the discussion? I notice you are not make any specific criticisms.

Sluglett also relies on the Ottoman censuses as "the most reliable sources we have", yet a few paragraphs later he completely disregards the Ottoman's "reliable sources" and says that Iraq was not called Iraq, and that the name Iraq "referred only to the provinces of Baghdad and Basra!". What was the land called then? The Ottomans, when they conquered Iraq after the fall of the Abbasid Empire, divided it into the (Wilayet) governorates of Baghdad, Mosul and Basrah. Not completely so; see Andreas Birken, Die Provinzen des Osmanischen Reiches (Wiesbaden, 1976). This shows that the names and boundaries of the wilayas changed frequently at different times; thus there was sometimes a province of Shahrizor, etc etc.

The Wali (governor) of each Wilayet was autonomous, but the Wali of Baghdad had authority over the other two Walis, making him the semi-sovereign ruler of Iraq. The name Iraq existed already when the Muslims entered it in 634 AD. OK, The 'Iraq of the medieval Arab geographers (e.g. al-Mas'udi etc) referred to an area extending southwards from al-Haditha on the Euphrates and from Takrit on the Tigris. The area immediately to the north of 'Iraq, bounded by the Euphrates to the west, the Byzantine empire to the north, the province of Armaniya to the north east, and the provinces of Azarbayjan and al-Jibal to the east, was called al-Jazira. See the maps in The Atlas of Islamic History of the Encyclopedia of Islam, Leiden, Brill, pp. 20-21. Under the Ottomans, there was no single administrative entity called 'Iraq' which corresponds to the boundaries of the modern state. (For the evolution of the boundaries of the various Ottoman provinces, see Birken, 1976). Before the First World War and during the Mesopotamia campaign (southern) Iraq was referred to as 'Turkish Arabia' in British official correspondence. Please try to understand that I am NOT trying to make a political point, I am just stating the facts as I know them.
Yet when it comes to issues like Kuwait and Iraq's claims over it, suddenly the Ottoman's sources disappear, and no reference is made to the fact that the whole East Coast of Arabia down to Oman was part of the Wilayet of Basra until the fall of the Ottomans and the British occupation of Iraq after WW1! Selective morality would you say, or just immorality? Actually, this is not so: I attach two articles which show that this is not the case. In simple terms, Kuwait never paid any tax to Constantinople, and while the Shaykhs of Kuwait were given Ottoman titles (qaimaqam) from time to time, this was also true of the Amirs of Najd -- so do we conclude from this that Najd is part of the wilaya of Basra !!?? In any case, it's quite clear, in 1938, 1961, and 1990, no significant number of Kuwaitis wanted to be part of Iraq !

I was surprised to hear Naseem Rejwan stating that Sunni Arabs continued to be masters and landlords for quite a few centuries. What is surprising about that? If I am correct, then he is either the son or nephew of the late Salim Rejwan, a millionaire of his time in Baghdad who died in the mid 1950s. He was a landowner, and in fact the market area in al-Masbah posh district in Baghdad is still called (Souq Rejwan!)… According to Salim's son, Ishaq, his father told them to leave Iraq after his death since things were going to get bad, and so they left to Europe and the US. Ishaq was happy to note that they still spoke Arabic at home and considered themselves Iraqis … There were other rich Jews in Iraq, and I don't personally know of any poor Jew during the years I lived in Iraq from the 1950s until the early 1980s; not my friends, classmates or neighbors! As almost all Iraqi Jews (except the wealthiest) had been effectively expelled to Israel in 1950-51, it is not surprising that you didn't meet any poor ones. I suggest you read Abbas Shiblak, Iraqi Jews: a History of Mass Exodus (2005), to which I have written the preface (and I attach it).

The feudal masters in Iraq's agricultural middle and south were predominantly Shi'i…Of course: see Marion Farouk-Sluglett and Peter Sluglett, 'The Transformation of Land Tenure and Rural Social Structure in Central and Southern Iraq, 1870-1958', International Journal of Middle East Studies, 15, 1983, pp. 491-505.

Joel Beinin writes: "Moreover, in Iraq pan-Arabism was associated with the continuing dominance of the Sunni Arab minority…"

Pan-Arabism in the Arab World was in reality pioneered by Christian Arabs not Muslims; people like Constantin Zureiq and Michel Aflaq. Negib Azouri, a Christian Arab edited the journal L'indépendance Arabe in Paris before the First World War. His "Réveil de la Nation Arabe dans l'Asie Turque…" (1905) was the first open demand for the secession of the Arab lands from the Ottoman Empire… We all know that as well; you are not paying attention to what JB is saying. Yes, the first secessionist authors were Christian, but in Iraq in the 1920s, 1930s and 1940s, this idea was largely carried by Sunnis like Sati' al-Husri. The Christians you mention were not Iraqis. Writing on Arab nationalism IN IRAQ is largely by Sunnis. Apart from Fadhil Jamali, I can't think of many Iraqi Shi'i writers on Arab nationalism.

Then I would like to discuss what Sluglett wrote on 22 January 2007:

"The only thing I want to add to this 'debate' is that no scholar, by which I mean people like 'Abd al-Jabbar, Batatu, Davis, al-Khafaji, Marr, Tripp, etc who write books about Iraq with footnotes (!) would disagree with the general proposition that there are more Shiis than Sunnis in Iraq. " OK, so what's your counter-evidence ?

"In 1920-21 the British allied with powerful groups and individuals within the minority Sunni element (those who had been part of or partners of the Ottoman ruling class) and helped them to rule the new Iraqi state (adding some new elements like Nuri and his ex-Sharifian officer colleagues). What is important here is that although this was so, the rulers of Iraq until the Ba'th Mark II in 1968 were not interested in playing the sectarian card, i.e. that they may have been Sunnis, but the legacy of the gradually secularising Ottoman state in the late 19th century meant that they themselves did not care one way or the other."

That is not true which part is not true? and in fact the British allied themselves with both Shi'i and Sunni tribal heads yes, ok, but the Shii tribal leaders were never part of the Ottoman ruling class , especially in the south of Iraq. If Sluglett first claims that all the South is Shi'i, with whom did the British ally in that area then? Wasn't eg. Sheikh Muhammed al-Uraiby of Amara a Shi'i? Do you see the contradiction? Of course some Shii tribal leaders were also coopted by the British, but the fact is that very few Shiis held positions in government (until Salih Jabr and Jamali). You have to look at what I'm actually saying, not at what you think I'm saying


However, there is the fact that the Shi'is refused to cooperate with the British occupation, boycotted the elections in the early 1920s, after having rebelled against the British when Najaf was bombed with chemical weapons in 1918; something I am sure Sluglett and his colleagues know well. Sheikh Mahdi al-Khalisi's call for boycott received support from among Christians and Jews and thus angered the British Civil Commissioner in Baghdad Sir Percy Cox. When in 1921 the new State opened the door for employment, al-Khalisi issued a religious Fatwa making working for the state Haram (forbidden). This is the reason why Shi'is were marginalized in Iraq for over 80 years; not because others wanted to but because they themselves did not want to be in the service of the State in the first place. At last something I can agree with in part, although I think 80 years is a bit long -- the spread of education and the gradual economic development of Iraq meant that there were increasing numbers of Shiis in senior positions in the bureaucracy (though never in the military) by, say, the late 1950s. And this was because of growing secularisation, i.e. that people began to find these sectarian distinctions less important (maku farq bayna ...) although that would come back later on.

"Then In the late 1960s/early 1970s, however, Saddam Husayn made sectarian affilation into an issue by expelling Shiis on the grounds that they were 'really' Iranian, first the Fa'ilis and later Shii Arabs. Since religious opposition was essentially all there was or could be in the 1970s, 1980s, and 1990s, SH began to persecute these opposition organisations, whose membership was mostly Shii. And so on ."

Sluglett can not even get his time periods correct, let alone the context.

Saddam Hussein was not sectarian and in fact very secular. Did I say he was sectarian? I am sure he was an atheist !! For him, loyalty to the Party and to himself (as the embodiment of the Ba'th itself) was the only criteria. The Ba'th Party's majority membership was Shi'i, not Sunni! What does that matter? Everyone had to join the party !! How many Shiis were there in the RCC after 1979 ?


The deportation of Iraqis with Persian dependency took place in two batches: late 1979 and 1982, and NOT in the early 1970s! But 40,000 Fa'ili Kurds were expelled in the autumn of 1971 (see Charles Tripp, A History of Iraq, p. 211). The people were not deported because they were Shi'is as is alleged, but the act (which I completely oppose and condemn) was political, intended to put pressure on the Iranian government by sending tens of thousands of people who themselves chose to be considered of Persian dependency. But these Shiis were considered Persian, weren't they? He told Iraqis that those expelled were Persians, didn't he? Weren't men encouraged to divorce their Shii wives ?


After all, how can a "wog" teach a Westerner what is right and what is wrong?? You must be confusing me with Bernard Lewis, whom I detest !!


Peter Sluglett
January 29, 07
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The reply below includes Sluglett's quotes in GREEN bold.
Dear Peter Sluglett,

People start their message by properly addressing the individual to whom they are writing. This belongs to politeness and social skills. That is how I was raised and how I have raised my children!

Your reply was no surprise though. You came out as if you were correcting some essay written by one of your students, dismissing all arguments that do not suit you, albeit in a selective way! That was no surprise either…

Batatu's book on Iraq is unsurpassed and unsurpassable, and the work of Isam al-Khafaji and Falih 'Abd al-Jabbar is indispensable to an understanding of contemporary Iraqi realities.

I do not doubt the importance of the great work of Hanna Batatu, nor do I intend to dismiss it as some would like to. However I do not hold it as infallible or the absolute truth about Iraqi realities. Batatu wanted to analyze the social structure of modern Iraq and its relation to politics, but he sometimes failed in proving his thesis since the social categories did not always conform with the political behavior of their supposed members. His emphasis on the importance and role of the Communist Party in Iraqi politics is exaggerated and offline as history has proven. This is perhaps because of Batatu´s (and seemingly also your) sympathy with Communists or leftists of Iraq. Batatu was not very successful in his attempts to prove the existence of a relation between political activity and social class or ethnicity. I find it strange of him to list the sect of members of the central committees of the communist party, when religion was of no essence to them.

I do not understand why you believe that the work of Isam al-Khafaji and Falih Abdul-Jabbar is “indispensable to an understanding of contemporary Iraqi realities.” Since like you state “only trained historians can write history books”, then none of them is qualified to write such books! None of them is a political analyst or “trained” historian; both Falih and Isam being social scientists though Isam teaches political economy. What they have in common between them (and with you also) is an unexplainable hatred for the Ba’th Party and Ba’thism about which you wrote (..the farrago of nonsense, mostly poisonous nonsense, that it now seems (and to me at least, has always seemed) to be). The second thing that unites you (at least with Falih) is an unshakable worship of Batatu’s analysis, and that seems to be enough to make those gentlemen’s work indispensable!

Falih Abdul-Jabbar was an obscure journalist living in Syria in the 1980s on support from the communist party, until 1988 when the party stopped its financial support of its members and ordered them to seek asylum in other countries, and he went to England. Prior to that, he had had no known academic work nor any publications that would entitle him to the position he is put in, apart from knowing Batatu’s book by heart! He somehow got acquainted with Sami Zubaida (probably through some of the Iraqi communists in London) who helped him secure his place at SOAS (about which I won’t even bother to comment), complete his doctorate, after which the CIA (and some say the Mossad) took him under its wings and gave him the reputation he has. Falih moved from Marxism-Leninism to working for the CIA which is building him a research centre in Beirut as is rumored.

He reminds me very much of my old classmate Kanaan Makiya (another favorite of yours it seems) who wrote two books about Iraq’s political issues even though he had left Iraq in 1967 at the age of 17 (before the Ba’th even came to power) and before that had had no political activities or political interests whatsoever…

Isam al-Khafaji, was also recruited by the CIA and participated in workshops on post-Saddam transitions throughout 2002, worked in the Iraq Reconstruction and Development Council, advised the Bush administration throughout 2002 and much of 2003, then became the director of Iraq Revenue Watch, whose Chairman is George Soros! Does that activity arouse any suspicion?

Needless to say, both Falih and Isam lost their credibility not only when they agreed to be in the service of their country’s invader and implement his policies, but mainly because their analyses proved to be completely faulty. None of the issues they advocated (and advised the US administration on) proved right and they ended up themselves criticizing the administration. Should anyone anymore believe they are capable of giving correct and sensible analyses of Iraqi realities, when their previous ones were faulty?

I have nothing personal against the two gentlemen, but I am stating facts about their history and their affiliations and their analyses.

And since “as historians, we can only use the writings of other historians, newspapers, the archives of governments, courts, etc..”, then what makes your writings or that of any other who copies from other sources ”genuine work” or “indispensable”?

The work of Malik Mufti (Sovereign Creations ...) is the best exposure of the utter nonsense of Ba'thism; the list can go on and on. Please do not insult my intelligence by putting about this childish idea that someone like myself does not respect and make use of the work of Arab scholars. But I would also say that the work of Charles Tripp, Pierre-Jean Luizard, Phebe Marr (just!) and Toby Dodge, all of which is based on primary materials, cannot be ignored simply because the authors are Westerners. This is so elementary that I am amazed I even have to state it.

I have not read Malik Mufti’s book (Sovereign Creations..), but his criticism of Pan-Arabism (which seems to be the common denominator between the colleagues you mentioned and yourself) is his opinion, and his analysis is based on his observations which I do not share. Everything he writes applies in a stronger way to Leftist and Communist movements in the Arab World. Practically the whole Communist Party of Iraq, from the Politbureau down to the lowest cadres has switched from working for the KGB to working for the CIA now…. Why then don’t I see any similar detest for them as you do pan-Arabists?

Your respect to Arab scholars seems to be based on three principles: that they oppose pan-Arabism, that they hate Ba’thism and that they believe unshakably in Batatu! In short, that they agree with you!

Your hate of Ba’thism goes beyond my understanding since you don’t seem to have lived in Iraq, you are not a member of a minority in Iraq or Syria, and you have not experienced it or suffered from it. Basing your opinion of a major political movement in the Arab World on what you read from Mufti, Abdul Jabbar or Khafaji is not a credit to your academic professionalism of which you are proud. You have even criticized Batatu for not being strongly critical of the Ba’th! Is Kurdish nationalism in your opinion also “poisonous nonsense”?

Mufti’s work for the Washington Institute (!) puts him in the same category with Falih and Khafaji; perhaps that is your criteria of what a good scholar is…

Who is copying what from whom, exactly ? Beinin has written pioneering work on Zionism and the Palestinians, and (as a Jew in America) has been standing up courageously to attacks from Zionists all his academic life. He doesn't need or deserve this kind of baseless criticism.

I was referring to Beinin’s refraining to answer, and when he answered it was a single line with several that contain his credentials. We were talking about Iraq and its political and sectarian structure, not about Beinin’s knowledge of Palestine or Zionism. Since Beinin is not an expert on Iraq, the only conclusion is that he has copied his information from somewhere else. Beinin’s reference to Mesopotamia and the reliance on Batatu (again!!) proves this… And you also admit that as historians you “can only use the writings of other historians, newspapers, the archives of governments, courts, etc.” So what do you mean who copies from whom?

Have you read Britain in Iraq 1914-1932? Have you read Marion Farouk-Sluglett and Peter Sluglett, Iraq since 1958: from Revolution to Dictatorship (3rd edition, 2001)? If you have, and have substantive criticism of the points made in them, fine. If not, what's the point of the discussion? I notice you are not making any specific criticisms.

I was not referring to what books you have written, but to the reply that you sent to Wafaa, which contained mistakes and biased opinions that no one should make; especially not one who claims to be an expert on Iraq. Your knowledge of the history of Arabs in Iraq and of Iraq’s ancient history is non-existent, as a simple reading of Hitti’s History of the Arabs will tell you…How can one analyze the present without knowing the past?

Not completely so; see Andreas Birken, Die Provinzen des Osmanischen Reiches (Wiesbaden, 1976). This shows that the names and boundaries of the wilayas changed frequently at different times; thus there was sometimes a province of Shahrizor, etc etc.
That does not change the fact that when the Ottomans came and conquered, the land was called Iraq. In fact Imam Ali Ibn Abi Talib refers to it in his speeches as Iraq, and that was the 7th Century AD! The names and boundaries of the states of the US have changed several times, so does that make the land less of a United States? Does that apply also to Israel who does not even have officially recognized borders?

OK, The ‘Iraq of the medieval Arab geographers (e.g. al-Mas'udi etc) referred to an area extending southwards from al-Haditha on the Euphrates and from Takrit on the Tigris. The area immediately to the north of ‘Iraq, bounded by the Euphrates to the west, the Byzantine empire to the north, the province of Armaniya to the north east, and the provinces of Azarbayjan and al-Jibal to the east, was called al-Jazira. See the maps in The Atlas of Islamic History of the Encyclopedia of Islam, Leiden, Brill, pp. 20-21. Under the Ottomans, there was no single administrative entity called ‘Iraq’ which corresponds to the boundaries of the modern state. (For the evolution of the boundaries of the various Ottoman provinces, see Birken, 1976). Before the First World War and during the Mesopotamia campaign (southern) Iraq was referred to as ‘Turkish Arabia’ in British official correspondence. Please try to understand that I am NOT trying to make a political point, I am just stating the facts as I know them.
Again that does not change the fact that when the Muslims entered Iraq in 623 AD, the land was already called Iraq. The name probably comes from the name (URUK) of the Akkadians, and the habit of ancient Semites was to call the whole land by the name of its major city… Even before the Ottoman time, none of today’s states was recognized as entities that correspond to the boundaries of the modern state. If Iraq was not called Iraq, what was the land called then? Did any of its neighbors call it Mesopotamia?
The border between Iraq and Iran was first established in a general agreement in1639 known as the Treaty of Zohab between Persia and the Ottoman Empire, with further additional treaties where details were clarified. The final treaty, known as the Delimitation Commission Agreement, established Iran's current border in 1914with Iraq and the Ottoman Empire. That should be enough to show that, though the name Iraq perhaps was not mentioned (I am not sure of that either), the entity did exist and its borders recognized.

Actually, this is not so: I attach two articles which show that this is not the case. In simple terms, Kuwait never paid any tax to Constantinople, and while the Shaykhs of Kuwait were given Ottoman titles (qaimaqam) from time to time, this was also true of the Amirs of Najd -- so do we conclude from this that Najd is part of the wilaya of Basra !!??

Whether Najd paid or did not pay any taxes to Constantinople has no bearing on its being part of Iraq, nor does the fact that the Shayks of Kuwait not paying taxes change its history. I am surprised that a scholar whose job is to research and verify facts, bases conclusions on flimsy grounds like this. The history of Iraq DID not start with the Ottomans or the British; it is thousands of years older than the British or the Ottomans, and whether or not this side or that recognized something or not does not change the history of Iraq which predates the existence of the invaders. The as-Sabah family itself was a relatively new comer to the area and the story of how Mubarak came to rule is no secret!

At no time until the beginning of the 20th century had there been a political entity of any form on the western side of the Persian Gulf, between Oman and Basra; not even after the arrival of the Colonialists to the Gulf. As late as 1909, and after the British have established themselves in the Basra Wilayet, the Ottoman state described it thus in its administrative division of Iraq:

The Basrah Wilayet:Located in the south of Iraq, bordered on the north by the Baghdad Wilayet, east by Iran, south by the Gulf and Ihsa’ and west by Shammar mountain and Syria. Area estimated to be 128,800 sq.km. It is subdivided into four counties: Basrah – the capitol of the Wilayet, Muntafig, Najd, and Imarah, consisting of some thirteen cities, thirty-two towns and 315 villages distributed as follows:

County City
Basrah Basrah, Qurnah, Fao, Kuwait

Muntafig Nasiriyah, Suk as-Shiukh, Shatra Muntafig, Hay

Najd Hufuf, Qatif, Qatar, Riyadh

Imarah Imarah, Shatrah Imarah, Jahlah, Majer Kabeer, Ali Gharbi


You will note that as late as 1909, not only Kuwait but also Qatar, Riyadh and Qatif were part of Basrah! But I note that these facts are known to you and included in your article. So what are you contesting?

In 1961, the British Embassy in Lebanon cabled the following message to the Foreign Office:

July 8, 1961
Sir M. Crosthwaite
“Iraqi Prime Minister, Abdel Karim Kassem, has decided to seek the annexation of the former Basra Governorate of Iraq, usually reliable sources said here today. The Basra Governorate, which was under Ottoman rule, includes the Districts of Katif and Ahsa’a, which now form part of Saudi Arabia and are rich in oil fields.”
[Emphasis added]

I suggest you read Zaki Saleh’s book (Britain and Iraq/ A study in British Foreign Affairs), where you will find more similar references from British files. For example, on March 21, 1902, the British Foreign Secretary, the Marquess of Lansdowne, summed up British policy towards the Sheikh of Kuwait and other Sheiks in the Gulf in the following Memorandum (part of which you also quote in your article, but I put it here to clarify the point):

"The situation at Koweit is becoming more and more embarrassing, and the time has come for looking it in the face. We have saddled ourselves with an impossible client in the person of the sheikh. He is apparently an untrustworthy savage, no one knows where his possessions begin and end, and our obligations towards him are as ill-defined as the boundaries of his Principality. We have distinctly announced that he does not enjoy British ‘protection’; on the other hand, we once made him a present of 1,000£, and promised him our ‘good offices’, whatever that may mean. When we made this promise we were, I feel no doubt, thinking of Koweit proper, if there is such a thing, and not of Boobyan or other outskirts over which the Sheikh has rights of one sort or another. We have up to the present sheltered ourselves not unsuccessfully, during our discussion with the Turks on the one side and foreign Governments on the other, behind the plausible announcement that we desire to maintain the status quo in regard to Koweit. But I doubt whether any one really knows what the status quo is…”

Does that give the impression that Kuwait was an independent political entity that was not part of the Ottoman Empire, or that the whole of today’s Kuwait is legitimate?

The arguments you have in your article all relate to the 19th and early 20th centuries, as if the history of Kuwait only started with the arrival of the British to the Gulf. How about before that? Do you have any other sources that prove that Kuwait was any sort of entity in that area, say in the 18th or 17th centuries? And if there are no sources, can one safely conclude that it did not exist as an entity?

In any case, it's quite clear, in 1938, 1961, and 1990, no significant number of Kuwaitis wanted to be part of Iraq !

In 1938, King Ghazi of Iraq used the issue of Kuwait as a rallying point for his people, both inside Iraq and Kuwait (then still under British rule), against British domination. He installed a radio station in his palace and played on the nationalist fervor to call for the return of Kuwait. The Consultative Council on Kuwait, appointed by the Sheikh, voted twice against the British will, to unite with Iraq and called on King Ghazi to take over their land. The British reply was swift: the council was dismissed some of its members were imprisoned and others deported! King Ghazi died in a mysterious car accident. His companions in the car disappeared and his corpse was kept by Dr. Henderson, the British appointed monarch’s physician, between the accident and the burial. A central demand of the Hashemite Union of 1957 was the return of Kuwait, as did Qassim in 1961 and Saddam in 1990. It is not clear at all that a significant number of Kuwaitis did not want to be part of Iraq, as you stated. The policy of intimidation, imprisonment and deportation was repeated against any dissent, and after the end of the Iraqi invasion in 1991, people were sentenced to death simply for writing articles in support of uniting with Iraq. We have no statistics or any independent opinion polls that support your claim.

I was surprised to hear Naseem Rejwan stating that Sunni Arabs continued to be masters and landlords for quite a few centuries. What is surprising about that ?

My surprise was because Jews were also landlords which Naseem left out… Actually Naseem has replied, stating that: “exact or even approximate figures on this subject [Shi’i and Sunni] are nowhere to be found; nor do such statistics exist for the matter of that (and this, incidentally, proves part of your, and Wafaa's argument that the whole subject of who was a Sunni and who a Shi'i was not a central preoccupation, at least during the 1920's through the 1950's.”

As almost all Iraqi Jews (except the wealthiest) had been effectively expelled to Israel in 1950-51, it is not surprising that you didn't meet any poor ones. I suggest you read Abbas Shiblak, Iraqi Jews: a History of Mass Exodus (2005), to which I have written the preface (and I attach it).

No Jews were expelled from Iraq and the use of the word “effectively” does not change the matter. I suggest you try to find an English copy of the Law which gave the Jews of Iraq the right to leave in return for giving up their citizenship. As you point out in your introduction to Shiblak’s book, the British were certainly behind the law. Very few Jews left, until the Zionists started a terror campaign against Jewish Synagogues and businesses. That is well explained by Naem Giladi, himself an Iraqi Jew in his book and on the internet. Why is the forceful expulsion of the Palestinians compared with the departure of the Jews from Iraq?

Let us not forget the support of the Iraqi Communist Party to the establishment of Israel which the Government of Baghdad skillfully used against communists.
We all know that as well; you are not paying attention to what JB is saying. Yes, the first secessionist authors were Christian, but in Iraq in the 1920s, 1930s and 1940s, this idea was largely carried by Sunnis like Sati' al-Husri. The Christians you mention were not Iraqis. Writing on Arab nationalism IN IRAQ is largely by Sunnis. Apart from Fadhil Jamali, I can't think of many Iraqi Shi'i writers on Arab nationalism.

JB wrote “"Moreover, in Iraq pan-Arabism was associated with the continuing dominance of the Sunni Arab minority…" . People like Sati’ al-Husri were theorists not imposers of any ideologies. Besides,is as you stated the Sunnis were the major part of the Ottoman ruling class, why would Sunnis revolt against the Ottomans whose favors they enjoyed?

How about the 1920 revolt led by Sheikh Mahdi al-Khalisi and other Arab Shi’i leaders? The gist of the matter is that sectarianism was of no essence, as the 1920 revolt proved when Shi’is and Sunnis came together against the invader. I explained the refusal of Shi’is (under a religious fatwa) to get involved in state affairs and this effected even their involvement in politics. However, I am sure you know that the earlier cells of the Ba’th Party in Iraq in the late 1940s contained active Shi’is with people like Fouad ar-Rikabi and Sa’doun Hammadi in the front.

"The only thing I want to add to this 'debate' is that no scholar, by which I mean people like 'Abd al-Jabbar, Batatu, Davis, al-Khafaji, Marr, Tripp, etc who write books about Iraq with footnotes (!) would disagree with the general proposition that there are more Shiis than Sunnis in Iraq."
OK, so what's your counter-evidence?

I refer to the reply of Naseem, and to the fact that all figures given are estimates based on beliefs relating to this area or that. No statistics exist and thus no one can say for certain which is larger. What you present is not evidence for me to present counter-evidence.

That is not true which part is not true? and in fact the British allied themselves with both Shi'i and Sunni tribal heads yes, ok, but the Shii tribal leaders were never part of the Ottoman ruling class.
I find it interesting when you cut a sentence I have written in half and comment on the first half as if it does not connect to the one after it. It is not true that the British allied themselves with the Sunni elements, and you should also know that the Shi’is accepted Faisal as King because he was a Hashemite and a descendant of the Prophet, while the Sunnis had their own candidate (Talib an-Naqib) whom Britain rejected, imprisoned and exiled.

Of course some Shii tribal leaders were also coopted by the British, but the fact is that very few Shiis held positions in government (until Salih Jabr and Jamali). You have to look at what I'm actually saying, not at what you think I'm saying

I explained why the Shi’is refused to take positions in government. Taking positions is not, to my understanding, allying with the British. The fact that the Shi’is accepted Faisal and the Sunnis rejected him should serve to show that the Shi’is DID ally with the British, if things were as black and white as you would like to present them.

At last something I can agree with in part, although I think 80 years is a bit long -- the spread of education and the gradual economic development of Iraq meant that there were increasing numbers of Shiis in senior positions in the bureaucracy (though never in the military) by, say, the late 1950s. And this was because of growing secularization, i.e. that people began to find these sectarian distinctions less important (maku farq bayna ...) although that would come back later on.

I am glad you agree on that….

Saddam Hussein was not sectarian and in fact very secular. Did I say he was sectarian? I am sure he was an atheist !!

So what did you mean by saying “Saddam Husayn made sectarian affilation into an issue by expelling Shiis on the grounds that they were 'really' Iranian..”? Was that not implying that he was sectarian?

What does that matter? Everyone had to join the party !! How many Shiis were there in the RCC after 1979 ?

No, not everyone had to join the party. I did not, yet still held a good position in the University of Technology from 1974-1977and was further appointed rapporteur of the Higher Committee of the University of Technology, but I refused, resigned and left Iraq to pursue my higher education. Nothing happened to me and no one threatened me or forced me. Of course members of the Party had more privileges, but that happens anywhere where there is a single-party system. Those who joined the Ba’th party wanted to benefit and reach higher, something I consider hypocritical. Some of those in the current government did that too…

In a tribal community like Iraq, when people group together to form political movements, they try to find relatives and close friends, and people from the same tribe, to join in their effort. I don’t believe the formation of the RCC after 1979 had anything to do with sectarianism, and there were Shi’is and Sunnis in it, if that is what you meant. Those executed or imprisoned in the 1979 purge of the party were both Shi’is and Sunnis. So what is your point?
But 40,000 Fa'ili Kurds were expelled in the autumn of 1971 (see Charles Tripp, A History of Iraq, p. 211). But these Shiis were considered Persian, weren't they? He told Iraqis that those expelled were Persians, didn't he?

I think that to say “these Shiis were considered Persian” is a sentence that contains a malicious insinuation and intends to distort things. Why the emphasis on the sectarian affiliation of the Faylis and not their ethnic background? It seems what you want to say is that the people were deported because they were Shi’is and their Persian background was used as an excuse. I don’t see on what you base that, apart from your bias against the Ba’th which seems to cloud your vision and make you jump into conclusions that fit your preconceptions.

The Faylis were deported (another deplorable decision) because they were considered Iranians not Iraqis and there is no proof that the deportation was because they were Shi’is. I don’t care what Tripp writes. The historian who states that Britain had “no intention of occupying Iraq in 1914” looses his credibility completely to me and is not worthy of the title historian. A historian’s duty is to facts not to political needs of that party or this. He can make whatever remarks he wants, but to me his remarks are worthless.

The Kurds themselves consider Faylis Persians and I would not be surprised if some of their leaders (Talabani?) had a hand in their expulsion. And if Iraqis were told that these Faylis were Persian, does that confirm your claim that the deportation was because of their sect?

Weren't men encouraged to divorce their Shii wives ?

When was that and do you have any evidence to corroborate that? I would like to see this, as I know many, many Shi’i and Sunni married to each other and I have NEVER heard of such a claim..

You must be confusing me with Bernard Lewis, whom I detest !!

BL is considered "the most influential postwar historian of Islam and the Middle East" who is also a product of SOAS! I too detest him, but he is still considered an authority, like you consider Tripp, Falih Abdul Jabbar and Isam al-Khafaji.

Beauty, as we are told, is in the eye of the beholder…. Nothing is absolute and all is relative, depending on how you see it and where from you look at it. Mine is of the insider who looked from inside and now from the outside. Yours is the outsider who looks only from the outside. There is a difference between our viewpoints because of that.

Tarik Al-Ani
Architect / Researcher
January 30, 07

Monday, December 18, 2006

The 1950 Law for Renouncing Iraqi Jewish Citizenship

We failed to find any mention in any English source about the content of the 1950 law, which was passed by the Iraqi government in reference to Iraqi Jewish citizenship after the establishment of the State of Israel (1948). Most sources indicate that Iraqi Jews were persecuted and forced to migrate out of Iraq. Not only this is not true, the content of the 1950 law below proves it entirely WRONG.

The 1950 law's content has been published in various Arabic sources including (but not limited to) the Taareekh al-Wizaaraat al-Iraqiyya by Abdur-Razzaq al-Hasany and Safahaat min Taareekhil Iraqil Hadeeth by Hamid al-Hamdany. The 1950 law appears in its entirety in both of the above mentioned sources. In Hamid al-Hamdany's book, the articles of this law are enlisted in chapter 13 and can be accessed at

http://www.hamid-alhamdany.com/side/al_kotob/tarikh_01/Chapter13.htm


The 1950 law for Renouncing Iraqi Jewish Citizenship:

In Arabic
قانون إسقاط الجنسية عن اليهود العراقيين:ا

المادة الأولى : لمجلس الوزراء أن يقرر إسقاط الجنسية العراقية عن اليهودي العراقي الذي يرغب باختيار منه ترك
العراق نهائياً، بعد توقيعه على استمارة خاصة، أمام الموظف الذي يعينه وزير الداخلية

المادة الثانية : اليهودي العراقي الذي يغادر العراق، أو يحاول مغادرته بصورة غير شرعية تسقط عنه الجنسية العراقية
بقرار من مجلس الوزراء

المادة الثالثة : اليهودي العراقي الذي سبق له أن غادر العراق بصورة غير شرعية يعتبر كأنه ترك العراق بصورة نهائية إذا لم يعد إليه خلال مهلة شهرين من نفاذ هذا القانون، وتسقط عنه الجنسية من تاريخ انتهاء هذه المهلة
المادة الرابعة : على وزير الداخلية أن يأمر بإبعاد كل من أسقطت عنه الجنسية العراقية بموجب المادتين الأولى والثانية، ما لم يقتنع بناء على أسباب كافية بأن بقاءه في العراق مؤقتاً أمر تستدعيه ضرورة قضائية، أو قانونية، أو حفظ حقوق الغير الموثقة رسمياً

المادة الخامسة : يبقى هذا القانون نافذاً لمدة سنة من تاريخ نفاذه، ويجوز إنهاء حكمه في أي وقت خلال هذه المدة بإرادة ملكية تنشر في الجريدة الرسمية

المادة السادسة : ينفذ هذا القانون من تاريخ نشره في الجريدة الرسمية

المادة السابعة : على وزير الداخلية تنفيذ هذا القانون


كتب في بغداد في الثاني من شهر آذار سنة ألف وتسعمائة وخمسون ميلادية

ولم يكد يصدر هذا القانون حتى بادرت الطائرات الأمريكية بنقل اليهود المسقطة عنهم الجنسية إلى قبرص، ومنها إلى إسرائيل في بداية الأمر، ثم قامت برحلات مباشرة إلى إسرائيل فيما بعد، حيث تم نقل 130 ألف يهودي، تعزيزاً للدولة العبرية ورفدها بالطاقة البشرية) . ا

In English
The Law for Renouncing Iraqi Jewish Citizenship:
Submitted to the Iraqi Parliament on 2 March 1950

Article 1: The Council of Ministers decides to revoke the Iraqi citizenship of the Iraqi Jew who voluntarily chooses to leave Iraq conclusively, after signing a special form before the official appointed by the Interior Minister.

Article 2: The Iraqi Jew who leaves Iraq or tries to leave it illegally will have his citizenship revoked by decree from the Council of Ministers.

Article 3: The Iraqi Jew who previously and illegally left Iraq is considered as having left Iraq conclusively unless he returns to it within two months from the effective date of this law. His citizenship will be revoked after this period’s expiration date.

Article 4: The Interior Minister will order the deportation of everyone whose citizenship was canceled according to articles 1 & 2 of this law, if the Minister is not convinced, based on sufficient reasons, that [the person’s] stay in Iraq is temporarily required by a judicial or legal necessity or the protection of the officially documented rights of others.

Article 5: This law remains valid for a period of one year from its effective date. The law can be terminated at any time by a Royal Decree published in the Official Gazette.

Article 6: This law shall be implemented from the date of its publication in the Official Gazette.

Article 7: The Interior Minister shall implement this law.
--------------
If you know of a non-Arabic source (in any language) that enlists the articles of the 1950 law above, kindly email it to historyofiraq@gmail.com

Wednesday, December 13, 2006

INSO E-Newsletter: Episode 17


Bimonthly Newsletter
Of the
IRAQI National Symphony Orchestra (INSO)
Episode 17 
October 2003
The 2nd Anniversary
Distributed by Al-Wafaa Website: http://www.INEAS.org/al-wafaanews

(*_*) (*_*) (*_*) (*_*) (*_*)

"Music is everything that war isn't"

Nobar Pashtikian, INSO, Baghdad

____________________

Inside This Issue:
1. Announcements
2. News & Reports
3. Reestablishing The INSO by Laman Al-Bakri
4. INSO's "Founders & Early Initiators" Part II

---------------------- 

1. Announcements:

The Iraqi National Symphony Orchestra (INSO) will be performing at the Kennedy Center on December 9th at 6 PM. The FREE concert has been sponsored by the Kennedy Center and the State Department. No information is yet available regarding advanced reservations. The Kennedy Center will post information about the event on their website after November 15th.

Unless we receive a yearly subscription of $10 from at least one hundred subscribers, this bimonthly e-newsletter will be discontinued in 2004. The final episode will be sent on or by December 24. This bimonthly newsletter has been in existence since September 2001. The first episode was emailed in October 2001. It has been maintained solely by Wafaa Mahmood and has been costing her a tremendous amount of time, energy and money (mainly in the form of long distance calls to members of the writing/editing team). This yearly subscription will help cover the cost incurred by members of the writing/editing team. Thousands of hours of researching, writing, editing and email corresponding have been spent since September 2001. For those who wish to send the yearly subscription, you will be provided with the mailing address when we receive email requests from at least one hundred individuals by November 15. Otherwise, this e-newsletter will be discontinued.
(*_*)_________________(*_*)

2. News & Reports


* In early September, the Institute of Near Eastern & African Studies (INEAS) in Cambridge, Massachusetts, received a small shipment of strings for violin, viola and cello from two companies in Australia; The Violineri, Inc. and Alex W. Grant Violins.

* The September issue (2003) of Strad Magazine, published in the UK, featured a paragraph on the Iraqi National Symphony Orchestra (INSO) mentioning the Orchestra's establishment, recent performance and needs providing INEAS's email address. As a result of this paragraph, the Australian companies contacted INEAS and donated strings (see news above)

* From a September-8th report (sent via email), Hisham Sharaf, the director of the INSO reported that Omar Abdul Razzak, a cello player with the INSO and the Baghdad Music Group, was injured in the August bombing of the UN headquarters in Baghdad. Omar was treated in Amman, Jordan. In a recent email from Nahla Jajjo, former INSO violinist (in Paris), she reported that Omar is well and currently living in Amman.

* In the early part of September, Hisham Sharaf met with representatives from UNESCO and UNICEF as well as with the Swiss Ambassador in Baghdad to identify the list of needs for both the INSO and the Music & Ballet School. No information has been provided since then as to whether donations have been actually received by the INSO from the above mentioned entities.

* In late October, donations, in the form of money as well as new and old strings for various instruments, were received by INEAS. Howard Hersch mailed the package from Nevada City, CA. Hersch and Anna Gold sent two checks. Lena Andaya of Sacramento, Anna Gold, Nancy Hill and Judy Bromley of Nevada City as well as Members of the Auburn Symphony in Auburn, CA, all contributed strings.

* The Women's delegation (which has been organized by INEAS) will be arriving in Iraq in the end of November. Details about the trip's duration, reports on the meeting with musicians of the INSO in Baghdad and about the donations given to members of the Orchestra will all be included in the December episode of this bimonthly newsletter. Donations are still being collected by INEAS and should be received on or by November 3rd. If unable to send musical spare parts or checks by that date and still wish to make a donation, Credit Card donations are accepted over the phone. Contact information for the Institute of Near Eastern & African Studies (INEAS) is as follows:
P.O. Box 425125 Cambridge, MA 02142 USA

* Laman Al-Bakri (in London) and Mohammed Siddiq (in Amman) recently joined this newsletter's writing/editing team. It was due to Laman's efforts and persistence that the Iraqi Symphony Orchestra was reestablished in 1971. Details on her background appear under Founders and Early Initiators (Part II) below. She has written an article for this episode detailing her personal account by mentioning her work in reestablishing the Orchestra. The team also welcomes Mohammed Siddiq who currently lives in Jordan. He began studying piano at the age of six, then continued his studies at The Music and Ballet School in Baghdad where he obtained his diploma in Piano. On scholarship, Siddiq attended the Gnesins State Academy of Moscow and obtained his Masters Degree. In 1991, he became the conductor of the INSO. Since 1994, he has been the conductor of the National Music Conservatory of Noor al Hussein Foundation in Jordan. His compositions won the First Composition Prize at Baghdad's 2nd Competition, the Grand Prize in the 6th Arab Songs Competition in Cairo-Egypt, and the First Prize at the 2nd Jordanian Song Competition in 2002.

////////////////

3. Re-establishing The INSO -- A Personal Account
By Laman Al-Bakri

The Iraqi National Symphony Orchestra (INSO) has been established in the 1950s. As a matter of fact, the Orchestra's musicians have been active in rehearsals and concerts more than a decade earlier, until it ceased its activities in 1966. As a music lover with a diploma from the Institute of Fine Arts in piano, I realized that the time was ripe for reestablishing the INSO knowing I was working at the Ministry of Information. So I had along talk with the Minister, Shafiq al-Kamaly in 1969/70. After presenting him with a detailed report, he encouraged me to go ahead with the project.At that time, I was the coordinator between the foreign cultural institutes in Baghdad (i.e. the German Goethe Institute) and the Ministry of Culture.

The Goethe Institute was the most active educational entity in music at that time. So I approached its representative for an advice, and simultaneously I contacted some of the members of the Orchestra for advice as well.We had to assign a conductor first, but whom? Also our budget needed extensive planning. We had to choose a place for rehearsals and a proper hall for concerts. After a while, the Goethe Institute came up with a proposal to help choose a conductor and to assist in paying him salary from the budget assigned to them for cultural exchange. I submitted the name and the proposal to the Minister, Al-Kamaly, who instructed me to get the approval of the Ministry of Finance and promised to allocate money for the members of the Orchestra as a part-time job. Thanks to the Minister of Finance, Mr. Amin Abdul Karim, who was a music lover as well, for his efforts in obtain money and the approval of the contract from the Revolutionary Council, which was necessary to Assign Mr. Mommer as the German conductor for the Orchestra.

Mr. Mommer arrived in Baghdad in 1971, and immediately began to form the members of the Orchestra. Because we didn't have any professionals at that time, he hired some of the musicians who were working at the Institute of Fine Arts and chose German musicians as well. Then I started seeking places for rehearsals. Because I was responsible for managing the Ballet School, which later became known as the Music and Ballet School, I was able to cultivate a large room for rehearsals of both the students and the Orchestra members. After extensive efforts, we were able to utilize the Khuld Hall and began in 1971 to give concerts on a monthly basis. Although I left the Ministry, and therefore, my involvement with the INSO in 1973, I was proud to be not just the main reason for the re-establishment of the INSO, but for allowing the INSO move ahead with many achievements including its tours in Russia in 1976 and Lebanon in the early 1980s.

--------------------------------
Former Minister 
Shafiq Al-Kamaly
 (1930-1984)


Lived and studied in Iraq. He also studied literature in Egypt. Al-Kamaly became the Minister of Youth and Information in the 1970s and the head of the Union of Arab Writers. He is a published poet. One of his translated (from Arabic) poems is entitled,"Coda." It reads:
They say in my village
I was born
With one hand placed
Over my heart
The men said
This child will live
With the heart of a prophet
And the women of the tribe"Rejoice!" they said
Hailing the future lover But the old men
Were holding back their tears
And keeping calm.
--------------(*_*)----------------

4. "Founders & Early Initiators" [Part II]

In this part, we acknowledge Sami Al-Sheikh QassimFu'ad MishuMunir Allahwerdi and Petros Hanna Petros from the earliest decade of rehearsals and performances during the 1940s. We also acknowledge Laman Al-Bakri for her efforts in reestablishing the INSO in 1971.
*******

Fu'ad Mishu
 (b. 1922 in Baghdad - )

Joined The Music Institute (later the Fine Arts Institute) in 1937 where he studied Clarinet under Hanna Petros, Oud under Muhiddin Heidar, and Violin under Sandu Albu. He studied andworked in engineering simultaneously. Fu'ad played Clarinet with the Wind Instrument Band of the Institute. As a violin player, he joined the first Orchestra's performance, organized within the FAI at the Iraqi Royal Medical College in early 1940s. When the Orchestra was reorganized in 1948-49, Fu'ad was the 2nd violin leader. Fu'ad and his brothers Luis (on Cello) and Nathum (on Clarinet) were among the members of the Orchestra since its reformation in 1948-49. He moved to the USA three decades ago where he continued performing, lecturing and holding musical sessions. He currently lives in Knoxville, TN.
*********************

Munir Allahwerdi
 (b.1926 in Basra - )

Joined the Fine Arts Institute in Baghdad in October 1942. He Performed in many chamber music and orchestral concerts in Iraq as well as on radio and TV from 1945 mainly as solo clarinetist and sometimes as contrabassist. Created the first clarinet class and taught the instrument at the Fine Arts Institute. Graduated as a civil engineer from the Engineering College and as clarinetist from the Fine Arts Institute in Baghdad 1948. Earned Master's of Science from the State University of Iowa. Munir worked as the head of the Arab States unit at the UN Financing System for Science and Technology for Development1980-1985. In 1985, Munir retired in Vienna where he formed a group of chamber music players from various well-known orchestras and performed in Vienna and in Finland.

(*_*)_______________(*_*)


Laman Al-Bakri
 (b.1929 in Baghdad-- )

A Lawyer and an Art Critic. In 1954, she earned a BA in Law (Baghdad University) and a Diploma in Music focusing on Piano at the Institute of Fine Arts in Baghdad.In the 1970s, she became Director of Culture at the Ministry of Culture and Guidance where she managed to reestablishing the INSO and the School for Ballet, then combined it with the School for Music to become the School for Music and Ballet. She currently lives in London.
*************

Petros Hanna Petros
 (b.1930 in Baghdad -1998)

A Graduate of the Fine Arts Institute (FAI), where he studied Trumpet under Hanna Petros, and Violin, under Jamil Saeed. He held a Business Administration Degree. In addition to his principle profession as an accountant then an entrepreneur, he played an important role in the music education as a teacher at the FAI. He played with almost every musical group organized within the FAI, wind instrument bands, chamber music groups and the Symphony Orchestra. He also played French Horn and Percussion. Petros along with his two brothers, Sabah and Bassim, and their father, Hanna Petros, were among the members of the Orchestra since its reformation in 1948-49. In 1959, Petros held the post of leader of the Brass Section. He moved to the UK in 1977 and lived there until he passed away in 1998.
///////////////

Sami Qassim
 (b. in Baghdad, d. in the USA, years unavailable)

Dr. Sami Abdul Razzaq Al Shaikh Qassim who died in the USA as Dr. Sami Kassim was among the earliest founders of the INSO. Qassim studied violin at the Fine Arts Institute under the tutoring of Sandu Albu for the years 1941-1946 while attending the Royal Medical College in Baghdad. He organized several concerts at the college. Sami can be credited for the establishment of the first Iraqi string quartet during the early 1940s. Members of the quartet were Sami Qassim as first violinist, Nouri Mustafa Behjet and Mahmoud Al Awqati alternating as second violinists, Mustafa Ibrahim Edhem as viola player and Hagop Kouyoumdjian as cellist. The quartet performed for the Baghdad (short wave) Radio service. Sami formed string quartets wherever he resided and played in local community orchestras as a first violinist and concert master. He passed away while in the USA due to cancer possibly in 1992.

@@@@@@@@@@@@

The INSO Writing/Editing Team:

Laman Al-Bakri, Lawyer, Art Critic [England]
Munir Allahwerdi, Clarinet Player, Engineer (INSO) [Austria]
Agnes Bashir, Pianist, Composer (INSO) [Jordan]
Munther J. Hafeth, Composer, Musician (INSO) [IRAQ]
Nahla Jajo, Violinist, Architect (INSO) [France]
Wafaa Mahmood, List Moderator & Concert Tour Organizer [USA]
Beatrice Ohanessian, Composer, Pianist (INSO) [USA]
Bassim H. Petros, Cellist, Music Critic (INSO) [New Zealand]
Zaid E. Shawket, Violinist, Mathematician (INSO) [France]
Mohammed O. Siddiq, Conductor, Composer (INSO) [Jordan]

INSO E-Newsletter: Episode 16

Bimonthly Newsletter
Of the
IRAQI National Symphony Orchestra (INSO)
Episode 16 
 August 2003
The 2nd Anniversary

Distributed by Al-Wafaa News Website: http://www.INEAS.org/al-wafaanews

(*_*) (*_*) (*_*) (*_*) (*_*)

Dear Subscribers:

This INSO bimonthly newsletter will be celebrating its SECOND anniversary in September. We would like to thank you for your commentary and encouragement and for making it an interesting task.I would like to acknowledge the great efforts of the writing/editing team, which have been instrumental in the success of this e-newsletter. Our prayers go to one of the w/e team's members in IRAQ, Munther J.Hafeth, to all musicians of the INSO and to the courageous and patient people of IRAQ.

We would like to know from those of you who live in the USA, Canada and Europe whether you will be willing (Starting in September) to contribute yearly subscription of $10. This will help us pay for the cost of placing all INSO e-newsletters on our website and cover some of the cost for publishing a book on the history of the INSO. Please note that not participating in the yearly dues will not affect your subscription status. But it will be greatly appreciated.Non-subscribers will not receive anymore emails. If interested, please see subscription's simple instructions below.

I wish you a pleasant and a relaxing fall.

Cordially,
Wafaa



"The only message that we were able to deliver in our performances was one of survival. That we were able to stay alive through all those years."

Imad Youssef, INSO violinist living in IRAQ

**********************

Inside This Issue:


1. News & Reports
2. History of The INSO by Wafaa' Al-Natheema
3. INSO's "Founders & Early Initiators"


_____________________

1. News & Reports:

* Thanks to the efforts of Lewis Brinin, a violinist with the Florida Orchestra, PIRASTRO in Germany and THOMASTICK in Austria have contributed a generous amount of strings to the INSO. They were received by the Institute of Near Eastern & African Studies (INEAS) in Cambridge, MA., which is collecting donations to the INSO and Music & Ballet School in Baghdad. INEAS is still welcoming/receiving donations from various organizations/benefits, working to form a women delegation to take the donation to IRAQ in the fall and organizing another benefit to raise more funds. The BBC will cover the women delegation should they arrive in Baghdad by mid of October and coincide with an INSO performance. More details on donations and the trip to IRAQ will be included in the October and/or December episodes.

* Munther J. Hafeth and Hisham Sharaf of the INSO will be part of the Arabic Music Symposium in Morocco from October 1st to October 10th. Both currently live in Baghdad.

* The Institute of Near Eastern & African Studies received a fax on July 9th from Music in the Middle East, an international music council, UNESCO, investigating the possibilities of inviting the Iraqi National Symphony Orchestra(INSO) to Amsterdam, Holland. After debating the dates whether in November or February, Neil Van Der Linden, of Music in the Middle East, decided to work on inviting the INSO in February.

* Beatrice Ohanessian, former INSO pianist and composer, has been recently interviewed on German radio stations by producer/host George Hersch, thanks to Lewis Brinin, a violinist with the Florida Orchestra. These stations were Deutschland Radio Berlin (airs nationwide), WDR Dortmund/Cologne (airs all over Western Germany), and SWR Baden-Baden (airs all over Southwestern Germany).

__________________________

2. History of the INSO
By Wafaa

In documenting the history of the INSO, the decade of the 1940s seems to be the period during which the admiration of western classical music inspired its birth. Such admiration was evident in the live performances that took place featuring symphonies, concertos and others from the Baroque, Classic and Romantic periods. However the INSO was not the first musical entity in Iraq. Several orchestras and conservatories were founded before the spark of activities of the INSO (see this episode's Founders & Early Initiators of the INSO). One such notable institution was The Music Institute, which was established in 1936. Five years later, The Music Institute was renamed The Institute of Fine Arts whereby a Chamber Orchestra was formulated.

Hanna Petros conducted this Orchestra's early performance at the Royal College of Medicine. In an earlier article I wrote for this INSO e-newsletter (September 2002), documenting from a couple of sources that in 1948, The Baghdad Philharmonic Society (BPS) was founded in affiliation with the Institute of Fine Arts. But Munir Allahwerdi, former INSO clarinetist, wrote in an email dated August 22 quoting the Constitution of the BPS as follows:

"Section 1, Article 1; The Society was formed by members of the Institute of Fine Arts in Baghdad in 1950...." This led me to believe that perhaps 1948 was the unofficial or the non-documented year of the Society's establishment!The BPS, then, formed the Baghdad Symphony Orchestra, which was composed of the Institute's students and teachers as well as musicians from the Army Band. Sandu Albu, Romanian violin professor, supervised the Baghdad Symphony Orchestra, which gave performances in Baghdad at the hall of the Institute of Fine Arts and at the King Faisal Hall as well as in Kirkuk (North of Iraq). In 1959, the Orchestra became officially known as the Iraqi National Symphony Orchestra (INSO), within the Ministry of Guidance. Before 1959, all musicians used to perform on volunteer basis. This is why many sources indicate that the establishment of the INSO was actually in that year. However, majority of this Orchestra's musicians used to perform voluntarily under a different name, so their activities and contributions should be part of the INSO's history.

Due to Iraq's instability during the 1960s, the Orchestra was shut down a couple of times. In 1971, by special efforts of Ms. Lamaan Al-Bekri (of the Ministry of Information) and a joint preparatory committee (M. Hafeth, I. Ad.ham, B. Petros and the late A. Ali), the INSO resumed its activities under the baton of Hans G. Mommer (German Conductor) and began to perform inside and outside of Iraq. The Orchestra reached its glory in the 1970s and early 1980s during which they toured in Lebanon and Russia and numbered as many as fifty-five musicians. Since its early stage in the 1940s, the INSO has had twenty-two (Iraqi and foreign) conductors. The Orchestra did not just perform classical works by European composers, but had also presented works composed by Iraqi, Middle Eastern and foreign musicians.

The list of Iraqi composers includes (but not limited to) Hanna PetrosFarid AllahwerdiMunther J. HafethAdbul Razzak Al-AzzawiBeatrice OhanessianMunir BashirKhalil IsmaelAbdul Amir As-SarrafAgnes BashirHussein QaddouriMohammed Amin IzzetAbdallah JamalZaid Othman and others. Bassim H. Petros, former INSO cellist, quotes Sandu Albu (Conductor, Violinist) saying, "in view of my experience here in Iraq, whenever we think of forming an orchestra, it would - for sure - be made of family member players." The family atmosphere within the Orchestra was evident since the 1940s and can be illustrated in the list below:

- Hanna Petros (Tympani and Bassoon) and sons; Petros Hanna Petros (Trumpet, Corn, Percussion), Sabah Hanna Petros (Clarinet), Bassim Hanna Petros (Cello and Contrabass).

- Fuad Mishu (Clarinet, then Violin), Lewis Mishu (Cello), Nadhim Mishu (Clarinet),

- Munir Allahwerdi (Clarinet, Contrabass) and brother Farid Allahwerdi (Violin, Viola),

- Aram Tajirian (Violin), Onik Tajirian (Clarinet).

The INSO has toured in Russia, Azerbaijan, Lebanon and Jordan. The last tour in Jordan was during the embargo in 1992. The INSO's last and most successful performance before this year's bombing on March 19th was on Christmas Day, 2002. An article (dated December 26) about this concert was featured in the NY Times. Munther J. Hafeth, still viola player of the INSO in Baghdad, once was quoted saying, "my target is to bring the INSO over to the 21st Century." Although the Orchestra made it through the 21st Century, it was not a blossoming entrance due to the embargo and wars and, so it stayed fairly unknown! The hope is to see it perform outside of Iraq and allow it to tell the story of the predicament as well as people's feelings, survival and accomplishments through music. Since I attended a live performance by the INSO in February 1999 in Baghdad, the idea of having the INSO tour the USA has been growing limbs. Of course the INSO is among several ideas that are causing limbs to grow in me, not to mention that the more the wars, bombs and calamity, the more the limbs due to survival instincts and being adamant! I feel like a haunted OCTOPUS!

Sources:
* Documents by the Ministry of Information
* Constitution of the Baghdad Philharmonic Society
* Munir Allahwerdi
* Bassim H. Petros

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3. "Founders & Early Initiators" [Part I]

This is part 1 of the list of Founders & Early Initiators. The alphabetic list includes (but not limited to) Farid Allahwerdi, Munir Allahwerdi, Aram Baboukhian, Hamdi S. Kaddouri, Hagob Keyomjian, Fuad Mishu, Hanna Petros, Petros H. Petros, Sami S. Qassim, Fuad Ridha and Aram Tajirian.

Some of the later initiators were Munther J. Hafeth, Bassim H. Petros and others. In this part, we acknowledge Hanna Petros, Farid Allahwerdiand Munther J. Hafeth.

1. Hanna Petros (1896-1958)
Composer, music educator and the founder of music education in IRAQ, which included (but not limited to) the Iraqi Army Music Department (1923), the Baghdad Music Conservatory (1936)and the Iraqi Police Music Band (1941).His "Rondo Oriental" was composed in 1937 for piano solo and was presented by the Romanian pianist and piano instructor, Julian Hertz, at the conservatory in Baghdad,as well as in Paris, Geneva and London during the 1940s.In the year 1976, the Orchestra's Russian conductor Youri Alieve converted the piece (Rondo Oriental) for string orchestra. It was performed by the INSO in Baghdad, Beruit, Moscow and Amman.Hanna's works included national songs, marshes for Wind Band and works for solo violin and piano.

2. Farid Allahwerdi (b. 1924 in Basra- )
A composer of modern music and a member of the International Federation of Composers. He studied composition in Paris, Moscow and New York.His composition "Al-Mansooriyya" symphonic poem aired on Moscow radio in 1958.In 1950, Allahwerdi earned a Diploma in Music, violin, from the Institute of Fine Arts in Baghdad. Then completed a Master's degree in Music Composition from The Hunter College in NY. For over a decade, he taught musical education, theory and instruments, mainly violin and viola, at the Yarmouk University in Irbid, Jordan. Currently Allahwerdi lives and composes in Dublin, Ireland.

3. Munther J. Hafeth (b. 1931 in Baghdad - )
A composer and viola player of the INSO since 1950. Mr. Hafeth joined the Institute of Fine Arts in 1949 and graduated in 1957.His studies in England included interior decoration, viola and composition.One of his earliest compositions, "Dijla River Banks," based on the theme of "Ala Shawati Dijla Mor" song, written for String Quartet. This work was later revised for a string Orchestra by the Hungarian violin instructor & conductor George Man and performed by the INSO in Baghdad and was recorded by Baghdad radio station in 1974. Other compositions were performed by the INSO during the 1970s and 80s. Hafeth currently lives in Baghdad, IRAQ and continues to perform with the INSO.

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"THERE IS NO ART WITHOUT CRITICISM"
Munther J. Hafeth

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The INSO Writing/Editing Team:

Munir Allahwerdi, Clarinet Player, Engineer (INSO) [Austria]
Agnes Bashir, Pianist, Composer (INSO) [Jordan]
Munther J. Hafeth, Composer, Musician (INSO) [IRAQ]
Nahla Jajo, Violinist, Architect (INSO) [France]
Wafaa Mahmood, List Moderator & Concert Tour Organizer [USA]
Beatrice Ohanessian, Composer, Pianist (INSO) [USA]
Bassim H. Petros, Cellist, Music Critic (INSO) [New Zealand]
Zaid Esmat Shawket, Violinist, Mathematician (INSO) [France]

INSO E-Newsletter: Episode 15


Bi-Monthly Newsletter
Of the
IRAQI National Symphony Orchestra (INSO)
Episode 15 June 2003
Distributed by Al-Wafaa News Website: http://www.INEAS.org/al-wafaanews

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In This Episode:

1. News
2. INSO Report by Zaid Esmat Shawkat
3. Music Schools and Musicians of Baghdad -- A Personal Account by Agnes Bashir
4. Jawad Saleem Part II: A Personal Account by Munir Allahwerdi
5. In Memory of Daoud Al-Qaisy by Bassim Petros


1. NEWS:

* The IRAQI National Symphony Orchestra (INSO) gave a successful performance in Baghdad on June 12 at the French Cultural Center. Another concert was performed on June 27th, which was covered on CNN. More details about this performance are provided in a report by Zaid Esmat Shawkat and included in this episode (below)

* We are pleased to welcome composer and pianist Agnes Bashir, and former violinist and (INSO's) previous concert master, Zaid Esmat Shawkat, to the writing/editing team of this bimonthly e-newsletter. Agnes Bashir, I.O.M., aside from her long and important involvement at the Music and Ballet School in Baghdad, has accompanied the INSO on the piano and has composed numerous pieces for the Orchestra to perform. She currently resides in Jordan. Her "April Festivities" composition was the talk of people who attended the Cambridge benefit on Friday, June 27th. More details on this event appear below. Zaid Esmat Shawkat is a graduate of the school of Music and Ballet in Baghdad in 1982. He has been performing with the INSO on the violin since 1983. Shawkat left IRAQ to France early this year to pursue his Ph.D. in mathematics.

* On June 14 (2003), Nahla Jajo, one of the INSO's former violinists who currently resides in France, and pianist Abbas Ali Abood performed a concert organized by the Board of Archaeological Museums of Lyons. The program included a solo piano recital and piano and violin duet recital of Oriental music. The Archaeological Museum of Lyons used to work with the Baghdad Museum (2000-2003)

* The Institute of Near Eastern & African Studies (INEAS) and Music For A Cause cosponsored a Jazz concert featuring Bob Sinicrope and Ben Stepner in a benefit for the IRAQI National Symphony Orchestra (INSO) on Friday, June 27th. Over seventy people attended the event, which was well organized and very successful thanks to Judy Gerratt of Music For A Cause, a violinist from the Hayden and Handel Society. The event was publicized in Phoenix and the Boston Globe. An article about the event, Wafaa and the INSO appeared in both Cambridge Chronicle and the Newton Tab on Wednesday, June 25. At the conclusion of the Jazz evening, Agnes Bashir's composition "April Festivities" (which was performed by the INSO in the early 1980s) was listened to by the audience from a cassette tape. It was admired by many in the audience and some wished they could hear it performed live! Both Judy Garrett and Wafaa plan to organize another major event with famous musicians to raise more funds and collect more musical instruments and parts. Such an event may include former INSO musicians living abroad.

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2. The INSO in Baghdad
Reported by Zaid Esmat Shawkat from Paris

The INSO has been preparing for its first after-war major concert. The Orchestra is back to regular rehearsals by its members who are graduate of the Academy of Music, Institute of Fine Arts and the Music and Ballet School. They performed in the "Palace of Conferences Hall" on the 27th of this month. The program included:
1- W.A.MOZART (1756-1791), Symphony (no.40 KV 550)
2- G.BIZET (1838-1875), extracts from "CARMEN"
3- H.G.MOMER (Year unavailable), "On the Palm Trees" (from the Iraqi Folklore)
4- A.R. Al-AZZAWI (1942-), "Voices of the Wilderness".
Conductor: A.R. AL-AZZAWI.
Additionally, the Orchestra had contacted the "Saraievo Philharmonic Symphony Orchestra" for a joint work in the middle of September. Communications are taking place with famous conductor, Zubin Mehta to lead this joint musical venture, said Hisham Sharaf, the INSO director. Sharaf also indicated that some musicians, who left the country before the war and due to the UN/US sanctions, are ready to get back to join the Orchestra. One example is Mohammed O. Siddiq, the conductor of the Royal National Orchestra of Jordan.

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3. Music Schools and Musicians of Baghdad --A Personal Account
by Agnes Bashir

I would like to remember my arrival in Baghdad in 1968 and my involvement with the musical life and activities which existed at that time. I had just earned my Master's Degree in "Analyses of Tone Poems by Richard Strauss" Four of us who studied in Moscow: Fuad Al-Mashta (flute), Husam Yakub (flute), Fikri Bashir (violinist, my husband) and myself were young, enthusiastic and eager to create new projects in Baghdad. We started a piano quartet: Flute, violin, cello and piano. For the Cello part, we invited Hussein Qadduri. Later, this quartet became part of the INSO. During this part of the late 1960s, the INSO was inactive. So the reestablishing of the Orchestra began by initiative of Munther Jamil Hafeth, Bassim Petros, Assad Mohammad Ali and others. Rehearsals were taking place at Munther's house, which had a very big hall. The enthusiasm and ingenuity of many musicians gave birth to many cultural events in this historical city. I was very lucky to be part of this. In 1968, the Musical School was founded by Aziz Ali as a public school. Many of us became involved in it as well as three Russian experts. After a while the school became a very important part of the INSO: Many of its graduates became INSO members and the best ones were honored to perform as soloists in some of its concerts. Lately I was involved with the INSO as a composer when I started to write music combining western and eastern traditions.

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4. Jawad Saleem Part II -- A Personal Account
by Munir Allahwerdi

I have been strongly urged by friends to write about the people I knew and about what it was like in Baghdad during the 1940s and 1950s, a period in which the arts and literature as well as the music were in a state of flux trying to break out from their centuries-dormant state looking for new directions in the larger world; be it France, Germany, Russia or England.About the people I knew, perhaps the dearest to me was Jawad Saleem. Decades elapsed without my writing and publishing a word about him. I have no excuse except that I considered myself not eligible to contribute about his memory. I am neither a writer nor a painter. But Nizar Saleem, Jawad's brother, wouldn't accept my reasoning and insisted on my participation in describing that period and Jawad's role in it.

Nizar made such remarks when we met in an Iraqi Embassy reception in Helsinki during the late 1970s/early 1980s. I remember him saying, "if you want to be fair to Jawad's memory, you have to write whatever you can about your relation with him. Munir, you owe it to him." I promised Nizar to fulfill his wish. But to my profound sorrow he did not live long to see me accomplish that promise. During the last two decades of Jawad's life (the forties and fifties), other great artists appear on the horizon, some within his immediate family such as his brother Nizar, his sister Nazeeha, and his wife Lorna as well as others like Faiq Hassan, Hafith Ed-Duroubi, Shakir Hassan and Khalid Er-Rahhal.

Characterizing the same period, there were parallel movements in literature, the theater and music which were going on with vigor. In the field of music, a group of "crazy" enthusiasts (including myself) none born into a musical family (except the sons of Hanna Petros), and who began learning music, fell in love with classical music, studied with or without proper guidance from available teachers and practiced against protestations of their families and neighbors with nothing standing in their way, suddenly appeared in musical Baghdad performing chamber music and orchestral concerts.They began to perform in Baghdad Hayden's, Mozart's, Beethoven's and Schubert's Trios, Quartets, Quintets and Symphonies before having ever seen any similar live performances in their life. Some of those instrumentalists such as Vartan Manoukian, Haik Balaian and Beatrice Ohannesian, after a period of studies abroad, even performed in world capitals. In appreciation of the remarkable work done by the young musicians who helped in the establishment of the Baghdad Symphony Orchestra and in bringing classical music to the Iraqi audience, Jawad Saleem drew pencil sketches of those of us who were available at the time including Sami Qassim, Fuad Ridha and myself to name a few. Free Thinking and tradition challenge were what united me with Saleem. This union was embodied in our love for classical music and in performing it on our instruments; the clarinet and the guitar.

Jawad never compromised traditional/national art by his devotion to the universal expression. In his book, Shakir Hassan Al-Saeed devoted a good deal of thinking to this particular aspect of Jawad's works. He explained Jawad's universality as follows: (I am translating a paragraph from his book in Arabic)

QUOTE:
"Jawad Saleem, as the rest of his generation of the 1950s suffered from the psychological and economic burden of War World II and its aftermath, was driven by the sincere desire to escape imperialism and reactionary mentality, dreamt of the social well-being and the international cultural awareness.Here, the "Other" becomes his preferred topic represented by the human being. His conviction in the importance of the human being lead him to take a special interest in humanity and thus the importance of observing it from all possible angles. Saleem's indulgence in European and World arts and in their non-visual arts prepared him to pose the question: How would he go about taking care of the humanitarian aspects of his art in both the international and national sense simultaneously? Then how to incorporate inputs from all resources into his relation with his environment? " End of Quote

By stating "his environment," Shakir Hassan was referring to the present as well as to the periods of Sumer, Babylon, Assyria and the Arab/Islamic eras and their artistic and cultural heritage. Saleem showed deep interest in local folklore and tremendously loved symphonic classical music. He preferred Mozart over Beethoven.As for the Hurriya (or freedom) Monument, Jawad explained to me the enormity of the task of accepting the proposal of General Abdul Kareem Qassim. He did not want his art to be tied to politics. We had a brief discussion during which I reminded him of the example of Verdi's composing of the opera Aida, which despite its political circumstances remained a great work in the Italian and human heritage. But he explained to me how much he admired Qassim and his sincerity toward the people of Iraq and how it would be difficult for him to decline Qassim's request to compose and implement the project. Saleem gave me a photo print of a composition in black mud relief which, as I believed, it would include the main parts of the composition still fermenting in his mind, and signed "Jawad Saleem, Baghdad," six and a half years before the July 1958 revolution. In this composition, the central figure is the same man who appears in the Hurriyya monument dressed as a soldier was presented as an almost naked poor farmer struggling in the agricultural field without iron bars, where his posture as a hard working farmer, is the same one who is dressed as soldier freeing his country from poverty and all what the 1958 revolution aspired to achieve. After taking a few lessons from me on the contrabass, Jawad joined the INSO as a contrabass player. He was a great supporter of the INSO.


5. In Memory of Daoud Al-Qaisy
by Bassim Petros

Daoud Al Qaisy was working with Munther Jamil Hafidh andmyself at the music Dept. of Baghdad Radio and TV during the mid 1970s. Further, he was my neighbor in Baghdad before moving into his house near the Technology University. His two sons and daughter studied at the Music and Ballet School. He was very friendly with all artists, and assisted them in many aspects, especially with regard to releasing many of them from the army service. In his capacity as a head of The Iraqi Artists Union (Naqaaba), he participated in every musical conference which was being annually held in Baghdad and traveled to certain European and Arab countries to conclude bilateral artistic agreements. Daoud was a very kind person and friendly with all.

Every artist knew him well. His assassination in May 2003 was a tragic loss. He will be remembered by all those who knew him.

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The INSO Writing/Editing Team:
Munir Allahwerdi, Clarinet Player, Engineer (INSO) [Austria]
Agnes Bashir, Pianist, Composer (INSO) [Jordan]
Munther J. Hafeth, Composer, Musician (INSO) [IRAQ]
Nahla Jajo, Violinist, Architect (INSO) [France]
Wafaa Mahmood, List Moderator & Concert Tour Organizer [USA]
Beatrice Ohanessian, Composer, Pianist (INSO) [USA]
Bassim H. Petros, Cellist, Music Critic (INSO) [New Zealand]
Zaid Esmat Shawket, Violinist, Mathematician (INSO) [France]